The Black Cat Gallery, Los Angeles, CA, is a space to be fueled
with positive, beautiful, intelligent, and original cutting edge
art. According to the Black Cat, art is comprised of all forms of
creative ingenuity; fine art, performance art, fashion, music, spoken
word, theatre, etc. In short, if it blesses the earth and it comes
from your heart we want to promote it.
Ever since art school in 1990, I dreamt of a place where my friends
and I would show our work in an environment that was alive and
warm.
The galleries I had experienced were quite often like hospitals
without personnel. I would leave feeling unseen, ignored, uninspired
and in need of some sort of uplifting pill. In 1993 Terrell Moore
befriended me by letting me practice my drums in his Venice
Westminster
Garage studio/gallery while he painted. In return, I helped him
put on art and music shows in his space the essential
core of the Venice underground art scene. This scene was incredibly
inspiring.
I was at Terrell's more than he cared for but it was impossible
for me to stay away.
I rented an adjacent studio, and soon Terrell gave me my first
one man show and my work started selling.
Around this time I met Roger Ray, owner of Purple Gallery in Mar
Vista. Purple had so much going on complete with a calendar
of events each month of art, theater, film, and music events.
Even
though Roger was battling a deadly illness, he gave me a show and
gave it his all. Roger Ray rocks. The Purple Gallery was another
inspiring example of a friendly environment with great up-and-coming
art and music. (The Purple boy is now completely restored, is
painting, and has opened Limbo.
Fine Art Gallery in San Diego)
Sadly, everyone lost their spaces in the same year: 1998. Within
three months our community vanished as production companies moved
to the west side and the artists were uprooted. I was homeless
for
nearly eight months, sleeping at friends' houses. In 1999, Aurelito
Mercado and Kjell Hagen at Inshallah Art Gallery in downtown gave
me a full retrospective show consisting
of 42 paintings. My band, Sea Spider, performed at the opening.
Auerlito and Djell were immensely kind and wonderful to work with.
Like Westminster Garage and Purple, Inshallah had a warm, house
vibe featuring young artists. They even featured DJ's and bands
that performed on an elevated platform above the art. Later that
year, I moved to Silverlake to be a part of the downtown scene
and
the Hollywood Darkwave/Gothic music scene. I met and later married
an Cal Arts graduate, actress, and goth princess, Rainbow
Underhill.
Throughout, I missed the ocean. The people were great on the east
side, but the ocean really has a way of giving me peace. I was having
trouble sleeping I wasn't sleeping. One day in late 2001
I sold a large painting on the west side to new collectors who paid
me cash on the spot. I was driving down Washington Blvd on my way
home and saw a space for rent with studio/gallery potential. Three
days later the cash paid the lease and we christened the west side
space the Black Cat Gallery.
Our love of black cats spurred the adoption of Viscous, our gallery
tenant and icon.
I worked for several months renovating the space with immense
help form my grandfather, Herbie, father, David, and Roger Ray.
The inaugural show at the Black Cat Gallery was June 1, 2002,
and consisted of a three man show consisting of works by Roger
Ray, Jeremy Fred Jenny, and myself, Timohty Williams. Since then,
the gallery continues to grow and gain local acclaim.
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